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Being able to read guitar sheet music can prove an invaluable asset in today’s market. We all know that becoming a pro guitarist means entering a very competitive field. You need every advantage you can get, and then some. Before we go any further let’s first answer one basic question: isn’t being able to read guitar tabs good enough? If you’re looking to make a name for yourself or earn a living as a guitar player then the answer would be “no”. This by no means negates the importance of tab, but in a world that is often oversaturated with guitar players, knowing how to read guitar sheet music can make the difference between success and failure. Let’s break things down so we can understand them better.

Guitar Tab

While tablature or tab seems to be a rather recent invention that came along with the electric guitar, the truth is that it has been around for hundreds of years. Even before the invention of the instruments we know today as “guitar”, we see examples of tablature being used usually with fretted instruments such as the lute. Examples of tab in the Western world today date as far back as the 1300’s. In Asia tabs was used even before that.

In today’s world guitar tab is composed of six lines that represent the six guitar strings, four in the case of the bass guitar on which numbers are placed which correspond to the frets on the guitar. Most tabs, tablature, tab formats today do not show you the rhythm. The information presented gives you a clear picture of what strings and frets should be played. The tablature format does not give you information in regards to the notes (pitches) that are being played.

Sheet Music

The sheet music for guitar on the other hand provides you with rhythmic as well as note (pitch) information. This is very important becauseit is like getting a detailed blueprint of a hotrod car. It allows you to see “inside” and understand exactly how the parts work. This is fantastic because you can use this information to fix your hotrod if it breaks down, or build yourself a new one. In much the same way, knowing how to read sheet music allows you to understand and break things down, analyze your favorite artists or composers and use those techniques when building your own material, songs.

The ability to “see” inside the music gives you a huge advantage by allowing you to manipulate and direct the musical flow of your ideas in such a way as to achieve maximum impact. To put it plainly, the ability to understand sheet music will allow you to create and juggle musical ideas with skills far beyond what other musicians posses.

In reality, I don’t think that all can be reduced to a question of guitar tablature versus notation. Traditional guitar sheet music does have its problems when it comes to marking strings and frets to be used. Traditional notation for the guitar does allow for the string to be identified. This, when used in conjunction with the indicated note gives you the fret number. However this tends to fill up the visual space making the notation much harder to read and follow. A combination of sheet music with tablature attached seems to be the best answer. Notation will also allow for the indication of the finger that needs to be used for certain note.

While a combination of notation and tablature will yield the best results, we will focus more on sheet music in this article because of the simple fact that most guitarists know how to read tablature, so it’s the learning of sheet music notation that will set you apart from the rest of the herd.

Learning to read notation… hell or heaven sent

If you understand the benefit of being able to read sheet music but are intimidated by the look and feel of sheet music notation, then take a deep breath and relax because always seem worse than they are. I know the feeling of looking at notation and feeling like you are looking at ancient hieroglyphs. In truth music is not nearly as complicated as it seems at first glance. It just takes a little patience and perseverance to learn but the results are definitely worth it.

You might be thinking that you will never be able to crack the code of notation. Guess I’ll just have to prove to you that it’s not nearly as difficult as you may think by showing you some notation basics right here and now.

Say hello to the musical notes

Sheet music is usually written on staff made up of five lines. You can write notes either on the line or in between the lines. One easy way to remember the notes that are on the lines of the staff is by recalling the following acronym: Every Good Boy Does Fine (E G B D F). This corresponds to the notes on the lines of the staff as read from the bottom up. In order to remember the notes that are in this space is between the lines, just remember FACE (F A C E as read from the bottom up). So now, if you have to tell me what note resides on the fourth space of the staff, as read from the bottom up, you can easily think of FACE and figure out that E is the note we were looking for. There you have it, less than a minute and you already know all the notes that are on the staff. If you just put a blank staff in front of you and quiz yourself over what note lies on a particular line or space, you’ll soon be able to recall them without thinking of the acronyms listed.

Final note

So as you can see learning how to read music is not that difficult, and while it may take a little bit of time to take it all in, the benefits are huge. Stick with it and you will soon see yourself standing head and shoulders above the crowd of guitarists out there.

Ben G. Dressen
http://www.articlesbase.com/art-and-entertainment-articles/guitar-sheet-music-and-guitar-tab-which-one-is-better-1214913.html

A brief look at the different way of using thumb, index, middle and ring fingers to create fast percussive lines on the bass. This style was developed first by Matt Garrison – first used in his early days with Joe Zawinul and then with John McLaughlin – but now fully developed through his solo work.

Duration : 0:3:41

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If you want to learn to play Flamenco guitar you will find that the basic left hand techniques are the same as the ones you would use in other guitar styles. The right hand techniques for Flamenco playing are more challenging, especially if you have not done any finger style playing before.

Your right hand technique need not be particularly advanced to allow you to add the Flamenco sound to your playing but you should always aim for a clean sound. You will find many amateur, and some professional Flamenco guitar players that you might find on YouTube or on Flamenco records from the nineteen sixties do not pay a hell of a lot of attention to clean notes. There is a school of thought that rough technique is okay if the passion is in the playing. This might apply to guys who have been playing Flamenco all their lives, but if you are fluffing notes it means you haven’t practiced enough.

Let’s think for a minute about where you are going to find Flamenco guitar lessons. The answer is YouTube or similar video sites. The Flamenco guitar videos available on the internet will vary in quality of playing but most of the lessons that focus on specific techniques are generally quite useful to beginner Flamenco guitar players.

The techniques you will be learning are Picardo which is the picking style Flamenco players use to play scale passages, Tremolo which allows the guitar player to play solos made up of long notes while playing bass accompaniment at the same time and Rasqueado which covers the aggressive and expressive strumming techniques which help give Flamenco guitar playing its unique sound.

Some of the professional guitarists you should be listening to are Paco De Lucia, Vicente Amigo, Sabicas, Diego Del Gastor, Serranito and Paco Pena. The lessons available are often given by guitarists whose names don’t sound very Spanish but if you can get a technique that you like from some guy named Hung Li O’reilly what’s the harm? One Flamenco guitar teacher you will find giving good advice and material in the form of video Flamenco guitar lessons is Sal Bonavita.

Back in the nineteen sixties and seventies there were a few guitarists giving “Flamenco” concerts all over the world to big audiences. Their publicity announced that their greatness but they were regarded as nowhere near the class of the guitarists I mentioned above, and have nothing to offer the Flamenco student. So if you come across videos featuring Carlos Montoya, Manitas De Plata and Juan Serrano, don’t waste too much time on them. I don’t want to badmouth artists who have given many people pleasure through their concerts and records but sometimes newbies waste time trying to learn material that will not benefit them in any way.

If you are looking for instruction books on Flamenco guitar, you should look for Toques Flamencos by Paco Pena. In spite of what I wrote above, if you find one of the guitar tutors by Juan Serrano they will at least give you a good grounding in the basics.

Ricky Sharples
http://www.articlesbase.com/music-articles/learn-to-play-flamenco-guitar-743084.html

If you want to learn to play Flamenco guitar you will find that the basic left hand techniques are the same as the ones you would use in other guitar styles. The right hand techniques for Flamenco playing are more challenging, especially if you have not done any finger style playing before.

Your right hand technique need not be particularly advanced to allow you to add the Flamenco sound to your playing but you should always aim for a clean sound. You will find many amateur, and some professional Flamenco guitar players that you might find on YouTube or on Flamenco records from the nineteen sixties do not pay a hell of a lot of attention to clean notes. There is a school of thought that rough technique is okay if the passion is in the playing. This might apply to guys who have been playing Flamenco all their lives, but if you are fluffing notes it means you haven’t practiced enough.

Let’s think for a minute about where you are going to find Flamenco guitar lessons. The answer is YouTube or similar video sites. The Flamenco guitar videos available on the internet will vary in quality of playing but most of the lessons that focus on specific techniques are generally quite useful to beginner Flamenco guitar players.

The techniques you will be learning are Picardo which is the picking style Flamenco players use to play scale passages, Tremolo which allows the guitar player to play solos made up of long notes while playing bass accompaniment at the same time and Rasqueado which covers the aggressive and expressive strumming techniques which help give Flamenco guitar playing its unique sound.

Some of the professional guitarists you should be listening to are Paco De Lucia, Vicente Amigo, Sabicas, Diego Del Gastor, Serranito and Paco Pena. The lessons available are often given by guitarists whose names don’t sound very Spanish but if you can get a technique that you like from some guy named Hung Li O’reilly what’s the harm? One Flamenco guitar teacher you will find giving good advice and material in the form of video Flamenco guitar lessons is Sal Bonavita.

Back in the nineteen sixties and seventies there were a few guitarists giving “Flamenco” concerts all over the world to big audiences. Their publicity announced that their greatness but they were regarded as nowhere near the class of the guitarists I mentioned above, and have nothing to offer the Flamenco student. So if you come across videos featuring Carlos Montoya, Manitas De Plata and Juan Serrano, don’t waste too much time on them. I don’t want to badmouth artists who have given many people pleasure through their concerts and records but sometimes newbies waste time trying to learn material that will not benefit them in any way.

If you are looking for instruction books on Flamenco guitar, you should look for Toques Flamencos by Paco Pena. In spite of what I wrote above, if you find one of the guitar tutors by Juan Serrano they will at least give you a good grounding in the basics.

Ricky Sharples
http://www.articlesbase.com/music-articles/learn-to-play-flamenco-guitar-743084.html

If you are one of the many people looking to learn guitar notes, what are you going to do with these notes when you learn them? There is an idea alive and well in alot of people’s heads that if you want to learn how to play the guitar, all you need is to find out where to put your fingers to play the notes, and there is nothing more you need to do. In fact, learning the guitar notes is a very small but important part of guitar playing. So let us take a look at the other pieces of the puzzle.

Guitar playing is based more on learning chords than on playing single notes. If you listen to solo guitar playing, it usually consists of a combination of single melody notes, bass notes and chords. Anyway, having established that there is much more to guitar playing than learning guitar notes, let us take a look at these notes we are so anxious to learn.

Standard tuning for a six string guitar is, starting at the lowest note, E  A  D  G  B  E. If we take an acoustic guitar without a cutaway body as having the minimum number of reachable notes, that gives us twelve frets worth of notes to play. But the guitar can only give us a total of thirty-seven different notes, so that means we have lots of different positions on the guitar neck to play the same note.

Now let us go back to basics for a bit. You probably know that musical notes are named after the first seven notes of the English alphabet. At least, they are if you play the guitar in English. So starting with the sixth string that plays the note E, on the first six frets you have F G A B C D, then you start again at E on the seventh fret, right? Wrong! The steps between notes are not uniform.

Starting with the open string E, the first fret is F, but the second fret is not G but F sharp there are sharps after A C D F and G. There are no sharps between B and C or between E and F. So if we look at the sixth guitar string again, instead of starting the next octave with E on the seventh fret, we start with E on the twelfth fret.

So let us look at the notes on all the strings of the guitar up to the twelfth fret:

E F F# G G# A A# B C C# D D# E

B C C# D D# E F F# G G# A A# B

G G# A A# B C C# D D# E F F# G

D D# E F F# G G# A A# B C C# D

A A# B C C# D D# E F F# G G# A

E F F# G G# A A# B C C# D D# E

So the notes at the twelfth fret of each string on the guitar are the same as the notes sounded by the open strings. You can use this diagram to pick out tunes if you already know how to read music. If you do not know how to read music yet, you can start finding out how to learn the guitar notes by finding recurring patterns up and down the fretboard.

Ricky Sharples
http://www.articlesbase.com/music-articles/learn-guitar-notes-713343.html