Posts Tagged ‘Sight Reading’
Learn to Play Guitar – a Beginner’s Guide
This article is devoted to learning how to play guitar (and even those just thinking about learning to play or giving the gift of music to a loved one) and how to approach gaining some kind of proficiency on the instrument. Now, we’ve all seen people playing the guitar at various times, sometimes on TV, sometimes up close (a real treat), playing various kinds of music and at varying skill levels. I think the hardest obstacle to overcome when you’re /www.activemusician.com”>learning how to play the guitar or thinking about starting is the thought that playing the guitar is only something musicians can do, or is only for people who are musically inclined. The simple fact is that anyone can learn to play the guitar. It’s just a matter of spending some time with it on a regular basis, and practicing in a manner that’s both fun and productive. Once it becomes part of your routine, it’s only a matter of time before your skill level and confidence develop.
When I started learning the guitar, there were a couple of learning aids I found to be indispensable. They include:
- Learning to Play Guitar Chord Reference Book – This is really helpful when you’re not sure how to play an F chord or a B minor, or want to learn some other ways to play it
- Artist Songbook – This is a songbook which has the piano, lyrics, and guitar chords to your artist’s favorite songs, and is great for learning how to strum and change from chord to chord
- Classical Guitar Book – This helps you familiarize yourself with the feel of scales and arpeggios, and also improves your sight reading
- Guitar Tab Songbook – As you progress, you’re going to want to play some of the guitar parts from your favorite songs note-for-note, meaning exactly as your favorite guitarist plays them. This type of book has the music for this both in standard notation and guitar tablature
I had a very insightful guitar teacher who started off each lesson by showing me a new chord and how to play it. Some good chord reference books that tackle these types of chords are the Whole Book of Guitar Chords and The First Book of Chords for the Guitar both written by Dan Fox. Once I had a feel for the chord, he would choose a song from a songbook from one of my favorite bands that used this chord (say a B minor or an A7) and would have me learn that song using an appropriate strum pattern. My mom played the piano, and would often visit the music store to buy sheet music songbooks from her favorite artists, so eventually I got her to buy me a few gems of this type:
- Beatles Complete – This is a valuable book for two reasons. One is that it’s The Beatles. The second is that The Beatles composed songs with relatively few and very easy to play chords (”I Saw Her Standing There” has three), and also songs with many and often unorthodox chords (”Michelle” has, um, a lot), especially when used in rock music. This makes it a great vehicle for learning new chords incrementally via their songs
- Neil Young – Decade - My brother wore out this recording and when I started playing some of the tunes from it on the guitar, it gave his little brother some instant credibility. Many of the songs in this book were recorded by Neil on the acoustic guitar, so it lends itself to the beginner who’s learning on an acoustic
- Led Zeppelin Complete – This is a strange and beautiful book. It has the main guitar riffs for every Led Zeppelin song on the first five albums (I – IV and House of the Holy) but it’s in standard notation. I spent a summer learning every song in this book and not only did my guitar playing improve, but so did my sight reading
- Eric Clapton Deluxe Revised – This contains some of the best songs from Cream, the Layla disc by Derek and the Dominoes, and some of Eric’s early solo work, but it’s unique in that it has a separate section with some of Eric’s best guitar solos transcribed. Eric is a great role model when you start learning how to play a guitar solo, because some of his solos are simple enough that they can be played by a beginning-intermediate guitar player (though it takes a lifetime to learn to play it with as much feeling as Eric)
Once we covered the chord of the week and the song that went with it, we would tackle a classical piece. One of the best classical books I can recommend, especially if you’re not a classical guitarist, is Classical Studies for Pick-Style Guitar – Volume 1. This book is great for developing your right-hand picking and also for developing your sight reading since all the music is in standard notation. There are some interesting pieces by Matteo Carcassi, which require you to arpeggiate various chords, and also some Bach Inventions that are arranged for duet guitar, so you can play with a friend. You can hear how this sounds in an on-line guitar lesson I created at WholeNote – Bach’s 8th Invention.
The one thing that’s changed over the past decade in sheet music for guitarists is the emergence of guitar tab songbooks. In the late 1990’s, an archive of guitar tablature files was collectively created and dubbed the On-Line Guitar Archives (OLGA), in which random guitarists from around the world created text files containing their own transcriptions of how to play your favorite songs by your favorite bands. The problem was that the quality and accuracy of the transcription was hit or miss. Sheet music companies finally wised up and started releasing accurate note-for-note transcription books, which were the real deal. In my day, you were a god if you could play the guitar solo, “Eruption”, played by Eddie Van Halen off Van Halen I, because you had to learn it by ear off the record, which is pretty much impossible. Today, you can just buy the Van Halen I guitar tab songbook and get all the music for Eruption both in guitar tab and standard notation. Oh, and they also throw in the rest of the songs from Van Halen I, and from Van Halen II, as well. I’ve always loved the whacked-out intro that Eddie plays in Mean Street, which opens the Fair Warning recording. The Van Halen Guitar Anthology Series has the tab for this, note for note, including every last harmonic, pick scrape, bend, and tap. It’s unbelievable. And it’s not just Van Halen. You can find similar guitar tab songbooks for The Beatles, Metallica, Red Hot Chili Peppers, Dave Matthews Band, Nirvana, Green Day, Audioslave and pretty much anyone else you can think of.
Finally, as you develop your practice routine, the one thing most often overlooked during practice is being able to play in time. When you start to get comfortable with chords and strumming, there’s a natural tendency to stop or to hesitate while switching between chords. A good metronome will make you aware of this and force you to play in time. The Qwik Time QT-7 Quartz Metronome is a good budget option and provides a good click, while the Wittner Wood Case Metronome w/ Bell and Cover is the kind you can hang onto forever and pass along from generation to generation (and I should know – I have one from my grandfather). The Fender MT-1000 Chromatic Tuner/Metronome is unique in that you get both a metronome and a guitar tuner in one convenient package. Very handy, indeed.
You too can learn to play the guitar today! Hopefully, this gives you a bit of direction as you learn to play the guitar. Remember that it’s simply a matter of spending some time regularly practicing some of the basics and then applying them to your favorite music. Keep expanding your knowledge of the basic chords and learn to play songs that use them, along with the strumming patterns of the tune. Combined with some classical pieces for dexterity and developing your sight-reading chops, you’ll be well on your way to mastering the guitar in no time!
Christopher Sung
http://www.articlesbase.com/music-articles/learn-to-play-guitar-a-beginners-guide-88437.html
How to Seriously Improve your Guitar Playing
There are bedroom guitar players and there are live performers. There doesn’t seem to be anything in between. The minute you walk on to a stage (whether you get paid or not) you are a professional. You are in the business of entertaining and displaying your wares, so to speak. And if you really want to seriously get your guitar playing together it is the latter you need to strive for in my opinion. I am not suggesting you ‘turn pro’, you know attempt to do this thing full time, that is a whole other set of issues itself, but in order for your guitar playing to really get to where it needs to get to, you simply have to play in a live performance setting, preferably in a public forum. Ideally with other musicians you can interact with.
You can spend a lifetime reading books, studying your musical heroes, playing along to music minus one records, but none of this will ultimately give you the full picture. In order to be a true well rounded musician, you have to have real world experience. I’ll try to explain why…
When I was just starting out in the profession as a fresh untainted fish in the vast sea of the London music business, I had to get myself known in order to find work. So I set about to answer ads in music papers. Now, after studying classical guitar at the London College of Music, I came out of a 3 year course with a facility to sight-read. Or should I say the beginnings of sight-reading ability, as jazz and pop music written on paper is a whole other world, as I was about to find out. I remember having to sight-read a piece of jazz music with a dance band at an audition. There were about 10 guitar players going for this gig. I must have been about 23 years old. The musical director said “I kind of like what you did Chris but you didn’t really cut it mate! There are other guys here that have what I need”. Ouch!!! That hurt. But I was young. It was actually good to hear. So I went back to my music library, pulled out a ton of violin music and practiced reading in different positions on the fretboard. Not to mention learning how to grab chords on sight in different fret positions.
Another time, I went down to audition for the National Youth Jazz Orchestra, a band known to be extremely taxing musically, and a training ground for London session players. I sat in the guitar chair with my Gibson 335 on my lap, ready to play. The director called a chart, I placed it on the stand and he counted it off. He counted it off around 250 BPM. Frighteningly fast! Well, it was all I could do to get my eyes to follow the music, measure by measure, much less play the music that was written within those bars! I didn’t even touch my guitar that rehearsal. I simply placed it back in its case and went home. Ouch again! That was a hard knock! I gave myself exactly a year to get it together. I went back to my practicing with a vengeance. A year later I joined the band for about a year and a half.
Another for instance; about 13 years ago I was playing with a jazz singer in a trio situation with an eminent LA drummer and acoustic bassist. I hadn’t done much trio playing, if any at the time, but I was looking forward to playing. At the end of one of the songs I completely messed up the ending. In fact I would go further, I hadn’t really worked on any song endings. Didn’t really have that together at all. The drummer scowled at me, particularly because I threw him off, as I was not definite in how I wanted to end the song (because I didn’t know myself!). He was furious when I made him look bad. He said to me “Dude, you’ve got to dictate these endings, you’re the one playing the chords!”. He was right. I was crushed! I went home, sulked for a week (maybe two). Then I went back to my practice room. I was not to be defeated…..
These are the hard knocks you simply have to get in your music life to dictate what you need to work on to get your total musicianship together! You just cannot expect to perfect your instrument without real world experience. You can’t get that experience any other way. I can recount tons of times that this sort of thing has happened, and there are still things today that I learn on a weekly basis at live gigs, telling me what I need to work on. The difference today of course is that it’s me who is being critical of myself, rather than other bandmates and musical directors telling me I suck!
And the neccessity of performing live is true of any musical genre you choose. Interacting with other musicians is an art in itself. I know technically great players who can’t play with others. Does this make them great musicians? I’m not so sure. But they sure can get round the instrument. But if they were to do any amount of live ensemble playing they would have one or two knocks coming, and if they are smart they would work on those issues. Otherwise it’s back to solo guitar playing in the back of their local restaurant. (A noble and valid thing to do, let me also say).
There are many issues that come up in a real live playing situation that just don’t come up in a bedroom practice session. Time, time-feel, supportive ensemble playing, projection of sound and tone, and most of all a sense of energy and commitment within a performance that is extremely different, and is very difficult to even put into words frankly. You just need to experience it, and that experience will improve your playing tenfold.
So get out there and do some gigs. I know it is hard to make that happen sometimes, but if you cannot make it happen then start a rehearsal band with a few others and play through repertoire. Get together with other guitarists and play through tunes, take solos and take turns being supportive. As you improve, take the plunge and take yourself to the next level.
And by recommending you do all this I am by no means suggesting you put away your books, records and Jamie Abersold play alongs. Absolutely not. This is something of course you should continue to do. But it is only 50% of your musical makeup. I promise you, by performing live you will improve yourself as a guitar player, but most of all as a musician, and at the end of the day this is what we all need to aspire to.
Go to it and have fun!
Chris Standring
http://www.articlesbase.com/music-articles/how-to-seriously-improve-your-guitar-playing-132877.html
